Latraxus
FBI Agent Adeline Brandt has spent her career searching for her younger brother Ronan, who vanished as a child from foster care. Her investigation into a string of occult murders leads her to a second Earth — the Kingdom of Sakarias — where she learns Ronan was taken, and where the truth of what happened to him is guarded by forces far older than either world.
Adeline Brandt has spent her career as an FBI agent searching for the one case she was never assigned: her younger brother Ronan, taken as a child while the two of them were in foster care. When a new investigation into a string of occult murders leads her to a victim she recognizes — the man who recruited Ronan — the case stops being routine.
The trail leads Adeline through a hidden portal into a second Earth: the Kingdom of Sakarias, a world of thirteen continents ruled by Sages and protected by orphaned warriors called the Lost Boys. There she learns Ronan was taken into this world as a child, and that he was last seen alive, and grown, in the catacombs beneath its capital.
Adeline is drawn deeper into the Kingdom's civil war — between the Sages who govern it, the masked Conspirators responsible for its unrest, and Latraxus, the enigmatic Deity Prince bound to his own grief and his own secrets. With Emlyn, a Holocaust survivor stranded ageless in the Kingdom for decades, at her side, Adeline has to decide what she's willing to become to bring her brother home.
At the birth of the solar system, an Aura formed at the center of Earth and became consciously aware, trapped in a second dimension. Sakarias built a new geography there — thirteen continents known as the Kingdom — and opened twelve portals to peer into our world across different eras and locations. The show's central question: when one world falls, the other falls with it. History repeats itself across time — how do we learn from it before it's too late?
When we were in high school together, Latraxus was just Curtis' screen name. I had no idea what it meant. When I finally read the pilot, I saw the potential of this universe, but it wasn't until Curtis sent me all seven episodes of Season One and asked me to co-write that I saw the larger picture. The scope felt massive at first, but as I dissected the mythology, I discovered a blueprint for something far bigger than a single TV series. The world was so thoroughly constructed — the mythology is so rich and original — that punching up the scripts felt less like inventing and more like excavating. What keeps me invested is watching how every fantasy element serves the emotional story. There aren't just cool concepts here — there are explorations of trauma, identity, and what it means to be human. That's rare in genre television.